HALLIE EPHRON: Welcome to What We’re Writing week!
Recently I put together materials for a class I gave for the Writers Digest Mystery and Thriller Writers Conference. (I get to do it via Zoom from the comfort of my new desk chair!) I was talking about one of my favorite topics: character-driven plotting.
I usually start off quoting what I once heard Walter Mosley say. It went something like this:
STORY is what happened. PLOT is the order in which it’s revealed to the reader
I’m still chewing on his words. I think this is what he means…
STORY in a mystery novel is the crime: what led up to the crime (sometimes years or generations earlier), what the villain and suspects did and why. The pieces get revealed in dribs and drabs as the sleuth discovers them. It’s kind of like putting together a jigsaw puzzle that has no edges, the reader putting the pieces in place along with the sleuth.
PLOT is more about the sleuth’s journey. How they get involved in the investigation, why they care about the outcome, what they discover, what they discover about themselves, and how the investigation challenges and changes them. It's told sequentially.
That's one of the reasons why mystery novels are so hard to write: there are TWO stories. The investigation (the sleuth and their associates figure out what happened), told sequentially. The crime itself (what led up to it, what happened, who did it, and why), revealed as the sleuth puts the pieces together.
So… it’s complicated! And hopefully when you read one of our novels, you will be blissfully unaware of the two stories we’re trying to tell while keeping you bamboozled and finally gobsmacked when all is revealed.
Are you a fan of puzzling mysteries or do you prefer the adrenaline rush of a thriller, where you know who the villain is early on, and goal becomes beating the clock and keep the bad thing from happening again.