Gone with the What?

RHYS BOWEN:
Would you expect a book called All's Well That Ends Well to be a light drawing room comedy or a sweeping international saga? Answer: the latter, if rumor is correct. That was the first title that Tolstoy chose for what became War and Peace.

Would The Strike have been as striking as Atlas Shrugged for Ayn Rand? Or Fiesta instead of The Sun Also Rises for Hemingway? How about First Impressions instead of Pride and Prejudice or Tomorrow is Another Day instead of Gone with the Wind?

These were all original titles for great works and it's reassuring to note that even the great ones had troubles with their titles. I can appreciate that now as I'm in mid title debate for the Molly Murphy book I am currently writing. It takes place in Paris and has to do with the end of Impressionism and the birth of modern art. So my working title had been Lasting Impressions. My editor felt this didn't have the edge necessary for a mystery novel. My agent desperately wanted the word Paris to feature in the title.

So I put it to my Facebook friends, and they went to town with it. There were some serious suggestions but they became more and more hilarious. My favorites were "Plastered in Paris", Monet isn't Everything" (but it's sad Toulouse) "An eye-full in Paris" or "Louvre and Let Die", "Bone jour" I could go on.

You'll be pleased to know we settled on none of the above. We've moer or less chosen City of Darkness and Light. What do you think?

Titles are so important, aren't they? How many times have you picked up a book because the title intrigued you? In this world of super-stores, airports and Amazons sometimes the title and front cover are all we have to sell the book. I love Red Deb's titles, especially the latest THE SOUND OF BROKEN GLASS.  It's intriguing because it isn't the sound of breaking glass. It's already broken. So can it make a sound?RHYS BOWEN:
Would you expect a book called All's Well That Ends Well to be a light drawing room comedy or a sweeping international saga? Answer: the latter, if rumor is correct. That was the first title that Tolstoy chose for what became War and Peace.

Would The Strike have been as striking as Atlas Shrugged for Ayn Rand? Or Fiesta instead of The Sun Also Rises for Hemingway? How about First Impressions instead of Pride and Prejudice or Tomorrow is Another Day instead of Gone with the Wind?

These were all original titles for great works and it's reassuring to note that even the great ones had troubles with their titles. I can appreciate that now as I'm in mid title debate for the Molly Murphy book I am currently writing. It takes place in Paris and has to do with the end of Impressionism and the birth of modern art. So my working title had been Lasting Impressions. My editor felt this didn't have the edge necessary for a mystery novel. My agent desperately wanted the word Paris to feature in the title.

So I put it to my Facebook friends, and they went to town with it. There were some serious suggestions but they became more and more hilarious. My favorites were "Plastered in Paris", Monet isn't Everything" (but it's sad Toulouse) "An eye-full in Paris" or "Louvre and Let Die", "Bone jour" I could go on.

You'll be pleased to know we settled on none of the above. We've moer or less chosen City of Darkness and Light. What do you think?

Titles are so important, aren't they? How many times have you picked up a book because the title intrigued you? In this world of super-stores, airports and Amazons sometimes the title and front cover are all we have to sell the book. I love Red Deb's titles, especially the latest THE SOUND OF BROKEN GLASS.  It's intriguing because it isn't the sound of breaking glass. It's already broken. So can it make a sound?

I think there are certain buzzwords that attract us to mystery novels. Bone/bones, blood, chill, cold are some of them and I think that Darkness or Dark is another. So Reds and writers: do you agonize over titles? Have you ever wished you�d called a book something else? Confession, I really wish I had not given the Evan books clever puns as titles. It made them sound cozier than they were are probably turned off some serious readers.

 What do you think is your most successful title to date? In the Bleak Midwinter was perfect, Julia. Hallie's are so atmospheric, Lucy's and Rosemary's clever, The Other Woman is spot on, as we say in UK and Dreaming of the Bones one of my favorite titles ever (and favorite books too, Debs.}

So readers and writers out there: what kind of title would make you pick up a book? (surely not Plastered in Paris?)

ROSEMARY HARRIS: I'm in title hell right now! I delivered my manuscript to my agent and she loves the title, but I am having second (and third) thoughts. It's the story of five friends, one of whom may have run off with another one's man. It's currently called The Bitches of Brooklyn but I'm starting to think that misrepresents the book - and may sound angrier or more Real Houewives than it is.  I too polled some friends and readers - the funniest one I got was from Rhonda Dossett, the southern half of the writing duo Evelyn David. (Marian Borden Edelman is the northern half.) She proposed this title And Just So We're Clear - Her Prom Dress Was Ugly, Too.
I'm considering it.

LUCY BURDETTE: Rhys, those are hysterical and utterly silly:). Sheila Connolly mentioned on one of my loops recently that her publisher was lobbying for CORNED BEEF AND CARNAGE for her new Irish mystery. Luckily, that one was nixed and replaced with TOP OF THE MOURNING, which I think works so much better.

Ro, I love that new title and subtitle! I have to agree, BITCHES OF BROOKLYN sounds a little like a downer to me.

I know the publishers spend lots of time trying to get this right, because I've gone round and round for almost all of my books. For the last two (#3 and #4) in the Key West series, I lobbied for FATAL RESERVATIONS. Food critic? yes! Murder mystery? yes! The only thing missing was Key West, which is well represented in the cover art. Instead, I've ended up with TOPPED CHEF and coming next year, MURDER WITH GANACHE. I like both of them just fine. I think the key is to have lots of options and sooner or later, the right one rises to the top.

HALLIE EPHRON: I like titles that sound a little bit nursery rhyme, a little bit creepy (THERE WAS AN OLD WOMAN, NEVER TELL A LIE) - because I'm writing domestic suspense. I do remember one of my earliest mystery novels was entitled ADDICTION an sure enough I had people coming to talks thinking they were going to hear about 12 steps.

HANK PHILLIPPI RYAN: PRIME TIME was almost "TIME CODE" because that's the term for the numbers that are burned it to videotape to let you keep track of time. Which I initially loved, than decided it sounded too science fiction. The it was "Story of my Life" because the main character was after the news story that wold save her career. But then--that sounded too--autobiographical. Then one day someone said (about a new reporter)--oh, she's not ready for prime time. And I knew it had been settled.

I'm now working on the title of my (crossing fingers) next book...and I'm wondering whether it should be The (some word that means "wrong or bad") (gender or relationship.)  THE OTHER WOMAN THE WRONG GIRL< and now...any ideas?  Or maybe just go another way altogether.

Rhys, I think your title is wonderful. And the right decision!  (Although I did laugh at Louvre and Let
Die.)

JULIA SPENCER-FLEMING: Hank, I'm glad you went with PRIME TIME. I would have thought TIME CODE was about a group of spies trying to stop a bomb countdown.

DEBORAH CROMBIE: Rhys, I LOVE The City of Darkness and Light!!! So perfect for the book! But the other suggestions are hysterical, and I must confess to a fondness for Louvre and Let Die.

I've only had to change one title. Mourn Not Your Dead was originally One Blood Will Tell, but the sales team at my then publisher didn't like it. My agent and my editor came up with Mourn Not Your Dead, and I still like the working title better.

And you are so right about the buzz words. The title for the book in progress is To Dwell in Darkness, and I hope I get to keep it. I love title with metaphorical layers (at least they are metaphorical to me!) The Sound of Broken Glass refers not only to the ruin of the Crystal Palace, which provides a sort of atmospheric background to the book, but to the shattered relationship that forms the core of the story. And then, since the book revolves around English rock music, there's the the Nick Lowe song, "I Love the Sound of Breaking Glass."

Favorite titles? Hmmm. Maybe The Sound of Broken Glass. Second favorite might be a tie between Dreaming of the Bones and In a Dark House.

JULIA: I can't help but think that cozy titles are the most difficult to get right. There's a convention that there's a pun, and it has to be related to the topic, like Lucy's with Key West and food critic, and it has to reference murder or mayhem, and it can't sound like every other title out there. That's a lot to juggle!

I've had to change a few of my titles. My second book was  JUST AS I AM before it was A FOUNTAIN FILLED WITH BLOOD (I confess it's my least favorite title.) ALL MORTAL FLESH was shortened from LET ALL MORTAL FLESH KEEP SILENCE. And the book that will be coming out this November had the working title of SEVEN WHOLE DAYS, which was greeted by a rousing, "Enh" from every bookseller I tried it out on. They and my publisher liked  THROUGH THE EVIL DAYS much better.

The best part of having hymns as your titles? Free advertising in hundreds of churches every year as they cycle through the hymnal.