"Oh, Kaye!" chats about poetry

I often turn to poetry when I can't seem to find the right book for the right moment.  Poetry seems to fill the gaps between books for me.

It can be fun and whimsical.

Or, speak to a darker mood.

It's for that reason, I often turn to poetry during tough times.

I have found myself turning to it more lately than usual.

And because April is National Poetry Month, I thought I'd share a few of my favorites with you.

For My Grandmother’s Perfume, Norell 

Because your generation didn’t wear perfume

           but chose a scent—a signature—every day

                      you spritzed a powerhouse floral with top

                                 notes of lavender and mandarin, a loud

smell one part Doris Day, that girl-next-door

           who used Technicolor to find a way to laugh about

                      husbands screwing their secretaries over lunch,

                                 the rest all Faye Dunaway, all high drama

extensions of nails and lashes, your hair a

           a breezy fall of bangs, a stiletto entrance

                      that knew to walk sideways, hip first:

                                 now watch a real lady descend the stairs.

Launched in 1968, Norell

           was the 1950s tingling with the beginning

                      of Disco; Norell was a housewife tired of gospel,

                                 mopping her house to Stevie Wonder instead.

You wore so much of it, tiny pockets

           of your ghost lingered hours after you

                      were gone, and last month, I stalked

                                 a woman wearing your scent through

the grocery so long I abandoned

           my cart and went home. Fanny, tell me:

                      How can manufactured particles carry you

                                 through the air? I always express what I see,

but it was no photo that

           stopped and queased me to my knees.

After all these years, you were an invisible

           trace, and in front of a tower of soup cans

                      I was a simple animal craving the deep memory

                                 worn by a stranger oblivious of me. If I had courage,

the kind of fool I’d like to be,

           I would have pressed my face to her small

                      shoulder, and with the sheer work of

                                 two pink lungs, I would have breathed

enough to

           conjure

                      you back

                                 to me.

-- Nickole Brown

My heart is moved by all I cannot save:
so much has been destroyed

I have to cast my lot with those
who age after age, perversely,

with no extraordinary power,
reconstitute the world.

A passion to make, and make again
where such un-making reigns.

—Adrienne Rich

The Country

I wondered about you
when you told me never to leave
a box of wooden, strike-anywhere matches
lying around the house because the mice

might get into them and start a fire.
But your face was absolutely straight
when you twisted the lid down on the round tin
where the matches, you said, are always stowed.

Who could sleep that night?
Who could whisk away the thought
of the one unlikely mouse
padding along a cold water pipe

behind the floral wallpaper
gripping a single wooden match
between the needles of his teeth?
Who could not see him rounding a corner,

the blue tip scratching against a rough-hewn beam,
the sudden flare, and the creature
for one bright, shining moment
suddenly thrust ahead of his time—

now a fire-starter, now a torchbearer
in a forgotten ritual, little brown druid
illuminating some ancient night.
Who could fail to notice,

lit up in the blazing insulation,
the tiny looks of wonderment on the faces
of his fellow mice, onetime inhabitants
of what once was your house in the country?

- - Billy Collins

The house was quiet and the world was calm.

The reader became the book; and summer night

Was like the conscious being of the book.

The house was quiet and the world was calm.

The words were spoken as if there was no book,

Except that the reader leaned above the page,

Wanted to lean, wanted much most to be

The scholar to whom his book is true, to whom

The summer night is like a perfection of thought.

The house was quiet because it had to be.

The quiet was part of the meaning, part of the mind:

The access of perfection to the page.

And the world was calm. The truth in a calm world,

In which there is no other meaning, itself

Is calm, itself is summer and night, itself

Is the reader leaning late and reading there.

—Wallace Stevens

Fictional Characters 

Do they ever want to escape?
Climb out of the white pages
and enter our world?

Holden Caulfield slipping in the movie theater
to catch the two o'clock
Anna Karenina sitting in a diner,
reading the paper as the waitress
serves up a cheeseburger.

Even Hector, on break from the Iliad,
takes a stroll through the park,
admires the tulips.

Maybe they grew tired
of the author's mind,
all its twists and turns.

Or were finally weary
of stumbling around Pamplona,
a bottle in each fist,
eating lotuses on the banks of the Nile.

For others, it was just too hot
in the small California town
where they'd been written into
a lifetime of plowing fields.

Whatever the reason,
here they are, roaming the city streets
rain falling on their phantasmal shoulders.

Wouldn't you, if you could?
Step out of your own story,
to lean against a doorway
of the Five & Dime, sipping your coffee,

your life, somewhere far behind you,
all its heat and toil nothing but a tale
resting in the hands of a stranger,
the sidewalk ahead wet and glistening.

by Danusha Laméris

Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed—
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe.

(There’s never been equality for me,
Nor freedom in this “homeland of the free.”)

Say, who are you that mumbles in the dark? 
And who are you that draws your veil across the stars?

I am the poor white, fooled and pushed apart,
I am the Negro bearing slavery’s scars.
I am the red man driven from the land,
I am the immigrant clutching the hope I seek—
And finding only the same old stupid plan
Of dog eat dog, of mighty crush the weak.

I am the young man, full of strength and hope,
Tangled in that ancient endless chain
Of profit, power, gain, of grab the land!
Of grab the gold! Of grab the ways of satisfying need!
Of work the men! Of take the pay!
Of owning everything for one’s own greed!

I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the Negro, servant to you all.
I am the people, humble, hungry, mean—
Hungry yet today despite the dream.
Beaten yet today—O, Pioneers!
I am the man who never got ahead,
The poorest worker bartered through the years.

Yet I’m the one who dreamt our basic dream
In the Old World while still a serf of kings,
Who dreamt a dream so strong, so brave, so true,
That even yet its mighty daring sings
In every brick and stone, in every furrow turned
That’s made America the land it has become.
O, I’m the man who sailed those early seas
In search of what I meant to be my home—
For I’m the one who left dark Ireland’s shore,
And Poland’s plain, and England’s grassy lea,
And torn from Black Africa’s strand I came
To build a “homeland of the free.”

The free?

Who said the free?  Not me?
Surely not me?  The millions on relief today?
The millions shot down when we strike?
The millions who have nothing for our pay?
For all the dreams we’ve dreamed
And all the songs we’ve sung
And all the hopes we’ve held
And all the flags we’ve hung,
The millions who have nothing for our pay—
Except the dream that’s almost dead today.

O, let America be America again—
The land that never has been yet—
And yet must be—the land where every man is free.
The land that’s mine—the poor man’s, Indian’s, Negro’s, ME—
Who made America,
Whose sweat and blood, whose faith and pain,
Whose hand at the foundry, whose plow in the rain,
Must bring back our mighty dream again.

Sure, call me any ugly name you choose—
The steel of freedom does not stain.
From those who live like leeches on the people’s lives,
We must take back our land again,
America!

O, yes,
I say it plain,
America never was America to me,
And yet I swear this oath—
America will be!

Out of the rack and ruin of our gangster death,
The rape and rot of graft, and stealth, and lies,
We, the people, must redeem
The land, the mines, the plants, the rivers.
The mountains and the endless plain—
All, all the stretch of these great green states—
And make America again!

 - Langston Hughes

New Year Poem 

Let us step outside for a moment
As the sun breaks through clouds
And shines on wet new fallen snow,
And breathe the new air.
So much has died that had to die this year.

We are dying away from things.
It is a necessity—we have to do it
Or we shall be buried under the magazines,
The too many clothes, the too much food.
We have dragged it all around
Like dung beetles
Who drag piles of dung
Behind them on which to feed,
In which to lay their eggs.

Let us step outside for a moment
Among ocean, clouds, a white field,
Islands floating in the distance.
They have always been there.
But we have not been there.

We are going to drive slowly
And see the small poor farms,
The lovely shapes of leafless trees
Their shadows blue on the snow.
We are going to learn the sharp edge
Of perception after a day’s fast.

There is nothing to fear.
About this revolution…
Though it will change our minds.
Aggression, violence, machismo
Are fading from us
Like old photographs
Faintly ridiculous
(Did a man actually step like a goose
To instill fear?
Does a boy have to kill
To become a man?)

Already there are signs.
Young people plant gardens.
Fathers change their babies’ diapers
And are learning to cook.

Let us step outside for a moment.
It is all there
Only we have been slow to arrive
At a way of seeing it.
Unless the gentle inherit the earth
There will be no earth.

- - May Sarton

Windchime

She goes out to hang the windchime

in her nightie and her work boots.

It’s six-thirty in the morning

and she’s standing on the plastic ice chest

tiptoe to reach the crossbeam of the porch,

windchime in her left hand,

hammer in her right, the nail

gripped tight between her teeth

but nothing happens next because

she’s trying to figure out

how to switch #1 with #3.

She must have been standing in the kitchen,

coffee in her hand, asleep,

when she heard it—the wind blowing

through the sound the windchime

wasn’t making

because it wasn’t there.

No one, including me, especially anymore believes

till death do us part,

but I can see what I would miss in leaving—

the way her ankles go into the work boots

as she stands upon the ice chest;

the problem scrunched into her forehead;

the little kissable mouth

with the nail in it.

- - Tony Hoagland

How 'bout you, Dear Reds, are you poetry readers?

Or poetry writers?

Do you turn to poetry at any particular time,

for any particular reason?

Do you have a favorite poem

 or two you'd care to share?